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This image of an aged Patriote of 1837 is famous in Quebec. It was created in 1887 as one of a series of 110 by Henri Julien as part of his work as staff illustrator for the "Montréal Star". Much later, the image became a symbol for the Quebec independence movement. Apart from its fame, it is also a good reconstruction of the appearance of a Patriote, agreeing with drawings made at the time. This man wears the everyday clothing of Lower Canadians of the period. The famous ceinture flèche, (literally 'arrow sash') around his waist is an item copied by the French Canadian voyageurs from the Amerindians. (Library and Archives Canada, C-017937)

The leader of the Patriote movement is shown in this 1840 lithograph. At this time he was in France, having fled Canada at the start of the 1837 Rebellion. (Library and Archives Canada R9266-P2601)

Drawing representing the departure of the German troops from Nancy, France.

The Sleigh Bay entrance to the Rideau Canal is a spectacular sequence of eight locks climbing 25.3 metres from the river to the plateau above. This watercolour of circa 1838 shows the entrance from the Quebec side of the Ottawa River. Construction work on the canal began here in 1827. Alongside the locks can be seen two stone buildings - the Commissariat on the west side (here, to the right) and the Ordnance (or Royal Engineers) Building on the east side. The former survives today as the Bytown Museum. Barracks Hill, just to the west of the locks, is now the site of the Canadian Parliament Buildings, built starting in 1859. (Library and Archives Canada, C-011864)

Matthew Whitworth-Aylmer, 5th Baron Aylmer (1775-1850) is shown wearing the uniform for colonial governors. Governors and governor generals wore army general’s uniforms until 1824 when assigned a special blue and scarlet military-style dress uniform last worn by Governor General Roland Michener in the early 1970s. Aylmer had a distinguished military record during the Napoleonic Wars. One interesting coincidence is that he served briefly in the Netherlands with the 49th (the Hertfordshire) Regiment of Foot under command of Isaac Brock, future hero of the War of 1812. Not an experienced politician when he was sent to take up the governorship, Aylmer was caught in the middle of a bitter ethnic conflict in Lower Canada. In the end, despite wanting to convince French Canadians of his good intentions, the Governor had set in train events that would lead to the Rebellion of 1837. (Library and Archives Canada, C-004809)

Drawing representing an American journalist writing on the British defeat.

Iron carriages were introduced in the British artillery in 1810. They were to be placed ‘in such parts of fortifications as are least exposed to the enemy’s fire’ as it was feared they would shatter if hit by enemy artillery. The examples seen in this photograph are found at the Fortifications of Quebec National Historic Site.

This 1824 silhouette of a trooper of the Royal Montreal Cavalry unit is one of the earliest known images of a Canadian unit. These militia light cavalry were dressed in the same style as British light dragoons. The uniform was blue faced with scarlet and trimmed with gold buttons and lace. The original silhouette is in the collection of the Musée d'Argenteuil, Carillon, Quebec. The Royal Montreal cavalry was recruited from the Anglophone middle class of Montreal, and was something of a military wing of the Montreal Hunt Club.

Fort Henry was the largest and most modern fort built by the British Army in Upper Canada and was nicknamed ‘the citadel of Upper Canada’. This watercolour was made in April, 1839, during the aftermath of the 1837-1838 Rebellions in Canada. Restored in the 1930s, the Kingston, Ontario structure is now one of the major historic sites in Canada. (Library and Archives Canada, C-000510)

The men of the British 43rd Regiment of Foot were part of a 2,000 strong army under Lietenant-Colonel Robert Monkton that took Fort Beauséjour after a brief siege in the summer of 1755. At left can be seen men of the grenadier company, distinguished by their pointed mitre headdresses. In the centre are ordinary soldiers who have the tricorne hats worn by most of the regiment. The young men to the right are drummers, wearing coats with reversed colours (white with red facings instead of red with white). This was intended to make drummers easy to spot in a fight, which was important, since drum beats were used to give orders. The presence of women and children seem odd in a military encampment, but each British regiment would have a small number of soldiers' families following them on campaign. Reconstruction by Lewis Parker. (Parks Canada)